In the Eye

A scientist is forced to put all her cards on the table in this psychological page-turner

Relationships are a careful balancing act: what should you say and what is best kept to yourself? Should you share everything with your partner or is it acceptable to keep some things secret? That is the key question in acclaimed author Marijke Schermer’s riveting fourth novel.

Fiction
Author
Marijke Schermer
Original title
In het oog
Year of publication
2024
Page count
192 (52,500 words)
Publisher
Van Oorschot

The protagonist is Nicola, a microbiologist. As a scientist, she looks at the world through a microscope and keeps herself in the background. That serves her well in her work doing research on bacteria, but real relationships with other people need more than that. A partner wants to know about your feelings; friends want to be supported and support you in turn; children crave a sense of warmth and familiarity.

Nicola’s closed-off nature has long been a sticking point in her relationship. But when her girlfriend of seven years breaks up with her, Nicola is stunned. Nicola hasn’t told her that her application for a research grant has been turned down and for her girlfriend, this is the last straw – if you love someone, you share that kind of news with them.

Newly single and professionally adrift, Nicola decides to simply observe. She continues her research into bacteria in her own time and tampers with some of the results. She low-key stalks a man named Louis; they end up getting involved, but she doesn’t tell him much about herself. Letting herself into his house before they’ve even had a conversation, falsifying data – she figures it’s alright to cut some corners every now and then.

This is what makes the novel so exciting. As a reader, you’re in Nicola’s head, but you soon realise she’s an unreliable narrator. Does she have an accurate view of herself? Should we believe her? In the Eye is a well-crafted psychological thriller. Schermer’s prose often draws comparisons to Rachel Cusk and Zadie Smith, who similarly blur the boundaries between fact and fiction.

Gradually Nicola realises she can’t just be an observer. Life demands engagement. Her daughter Marie, a climate activist, demonstrates this when she glues herself to the highway in protest. The novel builds to a powerful dénouement: Nicola finally opens up about her past, making her new relationship a genuine fresh start.

Rights

Cossee International Agency

Stella Rieck

rieck@cossee.com

Marijke Schermer describes emotions in painstaking detail. She observes, dissects, plumbs emotional and psychological depths – and keeps on looking until she’s found the perfect words, whittling her prose down to taut, spare observations.

Het Parool

In the Eye is that rare thing – a novel you can read and reread while reflecting on your own life and relationships. Cheaper than therapy – and perhaps more effective.

Trouw

Keen psychological insight in prose that will remain with you for days.

Knack Magazine

An excellent novel, packed with emotional truth and an elegantly turned narrative.

Marijke Schermer
Marijke Schermer (b. 1975) is a novelist, playwright and director. She was born in Amsterdam, grew up in Groningen and studied at the Arnhem Theatre School (ArtEZ). She has written plays and librettos and directed her own and other people’s work. In 2009, she received the Charlotte Köhler Prize. Her works for the stage have been translated into English, German, French and Romanian. She has written short stories and the novels 'Mensen in de zon' (People in the Sun, 2013), 'Breakwater' (2016, shortlisted for the ECI Prize and longlisted for the Dublin Literary Award) and 'Love, If That’s What It Is' (2019, shortlisted for the Libris Literature Prize). 'In the Eye' is her fourth novel.
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