Mondrian: A Better World

Graphic novel about the key period in Mondrian’s life in which he perfected his art

The world-renowned painter Piet Mondrian (1872–1944) believed it was an artist’s duty to strive for harmony and equilibrium in art, in order that it could serve as a blueprint for human society. His way to achieve this was to strip his work of all noise and distraction and use only universal shapes and primary colours.

Graphic novel
Author
Erik de Graaf
Original title
Mondriaan: Een betere wereld
Year of publication
2024
Page count
320 (approximately 11,600 words)
Publisher
Scratch Books

Despite differences in size and placement, all shapes and colours are equally important in Mondrian’s paintings, as he believed should be the case with people in real life. Graphic novelist Erik de Graaf’s fascination with this philosophy led him to investigate what moved this iconic Dutch artist, in art and in life. Through in-depth online and offline research, travel and interviews, De Graaf has pieced together this sensitive reconstruction of Mondrian’s last eleven years.

As a narrative artist, De Graaf seeks to create stories that move people. He searches for the great in the small, the extraordinary in the ordinary. The main story is interwoven with portraits of Mondrian’s friends and colleagues, like Peggy Guggenheim and Harry Holtzman, who share their views of the artist. Between 1933 and 1944, Mondrian lived in Paris, London and New York, moving as far away as possible from the impending doom of WWII. De Graaf takes the reader back into those years. His drawings of the architecture of these cities are so beautifully vivid, readers will feel as though they are there.

The episodes in Nazi Germany are drawn in greyscale contrasting with Mondrian’s colourful pictures as tries to find a sense of harmony in his painting. De Graaf’s crisp, clean style is influenced by the artists he deeply admires: Yves Chaland, Joost Swarte, Seth and Chris Ware. He brilliantly conveys Mondrian’s attempts to bring light into an ever-darkening world.

Rights

Chris Mokken

chris.mokken@scratchbooks.nl

On Shards/Scars:

Erik de Graaf’s diptych deserves a place in the canon alongside Maus, The Beast is Dead, Alan’s War, and the graphic novel version of Anne Frank’s Diary...

Stripgids

Heart-wrenching storylines and deftly wrought flashbacks…

Zone 5300

An impressive testimony.

NRC
Erik de Graaf
Erik de Graaf (b. 1961) studied graphic design and advertising at the Academy of Fine Arts in Rotterdam and is now creative director at Millford design studio. His love of the ‘more serious side of comics’ blos­somed during his student years, influenced by artists such as Joost Swarte and Yves Chaland. He made his debut with 'Verbleekte herinneringen' (Fading Memories, 2003), in 2020 he published 'Scherven/Littekens' (Shards/Skars), a two-part story set in World War II, which has been translated into French. He also collaborated on the second part of the *Drawn and Quarterly Showcase, an anthology from one of the world’s leading comics publishers.
Part ofGraphic novel
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